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Jean Dubuffet: The Hourloupe Cycle

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“Dubuffet created an alternative world that encompassed all facets of the visual arts.” Milly Glimcher 

Coinciding with the 2025 exhibition in New York, this publication takes a close look at Jean Dubuffet’s Hourloupe Cycle, comprised of drawings, paintings, sculptures, and architectural installations spanning 1962 to 1974. With an essay by Milly Glimcher and a generous foldout page, Jean Dubuffet: The Hourloupe Cycle provides new perspectives on a storied series. 

Publication details

Contributors: Milly Glimcher, Tomo Makiura
Publisher: Pace Publishing
Publication date: 2025
Hardcover
9 ½ × 7 ½ inches
48 pages: 26 color, 7 bw images
ISBN: 9781948701792

Jean Dubuffet: The Hourloupe Cycle
Jean Dubuffet: The Hourloupe Cycle
Jean Dubuffet: The Hourloupe Cycle
Jean Dubuffet: The Hourloupe Cycle

Jean Dubuffet

Jean Dubuffet began painting at the age of seventeen and studied briefly at the Académie Julian, Paris.
After seven years, he abandoned painting and became a wine merchant. During the thirties, he painted again for a short time, but it was not until 1942 that he began the work which has distinguished him as an outstanding innovator in postwar European painting. Dubuffet looked to the margins of the everyday—the art of prisoners, psychics, the uneducated, and the institutionalized—to liberate his own creativity, coining the term “Art Brut” as a reflection of the creative possibilities outside the conventions of the day. His paintings from the early forties in brightly colored oils were soon followed by works in which he employed such unorthodox materials as cement, plaster, tar, and asphalt-scraped, carved and cut and drawn upon with a rudimentary, spontaneous line.

Learn more about the artist