Adolph Gottlieb: Gravity, Suspension, and Motion: Paintings 1954–1972

“Over the last two decades of his career, Gottlieb had demonstrated that Abstract Expressionism did not, after all, need to be a subjective style.” — Pepe Karmel 

Published in 2012 on occasion of the exhibition at Pace Gallery in New York, Gravity, Suspension, and Motion: Paintings 1954–1972 investigates Adolph Gottlieb’s late-career oil paintings, which distilled the visual language of abstraction to reflect essential qualities of the physical world. This publication features an essay by Pepe Karmel along with full-color illustrations of twelve works.