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Jean Dubuffet: Théâtres de Mémoire

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This publication takes a close look at the Théâtres de Mémoire, one of Jean Dubuffet’s most important series of works that contains some of the largest paintings he ever made. The series, which Dubuffet started at age 74, also marked a new technique for him and a redefinition of his art. Published in conjunction with the exhibition held in New York in 2018, Jean Dubuffet: Théâtres de Mémoire includes an introduction by Arne Glimcher and an essay by Kent Minturn, as well as a fold-out of Dubuffet’s iconic Localisation (1975). 

Publication details

Contributor: Arne Glimcher, Kent Minturn
Publisher: Pace Publishing
Publication date: 2018
Paperback
8 ½ × 11 ¾ inches
78 pages: 41 color, 1 bw images
ISBN: 9781948701051

Jean Dubuffet: Théâtres de Mémoire

Jean Dubuffet

Jean Dubuffet began painting at the age of seventeen and studied briefly at the Académie Julian, Paris.
After seven years, he abandoned painting and became a wine merchant. During the thirties, he painted again for a short time, but it was not until 1942 that he began the work which has distinguished him as an outstanding innovator in postwar European painting. Dubuffet looked to the margins of the everyday—the art of prisoners, psychics, the uneducated, and the institutionalized—to liberate his own creativity, coining the term “Art Brut” as a reflection of the creative possibilities outside the conventions of the day. His paintings from the early forties in brightly colored oils were soon followed by works in which he employed such unorthodox materials as cement, plaster, tar, and asphalt-scraped, carved and cut and drawn upon with a rudimentary, spontaneous line.

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