Jean Dubuffet: Monumental Sculpture from the Hourloupe Cycle
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Throughout his Hourloupe period, which spanned from 1962 to 1974, Jean Dubuffet made painted sculptures with the goal of drawing the viewer into a pure mental projection. In 2008, Pace staged an exhibition of Hourloupe sculptures, including Dubuffet’s ambitious architectural project Welcome Parade, realized for the first time. This publication includes the artist’s preparatory sketches alongside essays by Daniel Abadie, who curated the 2001 Dubuffet retrospective at Centre Pompidou in Paris, and Sophie Webel, Director of the Fondation Dubuffet.
Publication details
Contributor: Daniel Abadie, Sophie Webel
Publisher: Pace Publishing
Publication date: 2008
Softcover
11 ¾ × 8 ¾ inches
42 pages: 33 color, 9 bw images
ISBN: 9781930743939
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Jean Dubuffet: Monumental Sculpture from the Hourloupe Cycle
- Regular price
-
$30.00 - Regular price
-
- Sale price
-
$30.00

Jean Dubuffet
Jean Dubuffet began painting at the age of seventeen and studied briefly at the Académie Julian, Paris.
After seven years, he abandoned painting and became a wine merchant. During the thirties, he painted again for a short time, but it was not until 1942 that he began the work which has distinguished him as an outstanding innovator in postwar European painting. Dubuffet looked to the margins of the everyday—the art of prisoners, psychics, the uneducated, and the institutionalized—to liberate his own creativity, coining the term “Art Brut” as a reflection of the creative possibilities outside the conventions of the day. His paintings from the early forties in brightly colored oils were soon followed by works in which he employed such unorthodox materials as cement, plaster, tar, and asphalt-scraped, carved and cut and drawn upon with a rudimentary, spontaneous line.